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supported by 8 fans who also own “Winter in Eden”
“Room of mirrors (…) house of mirrors”...so, I've been warned: silly me, looking for a well-known, reassuring reality. A guitar gently playing like a child on a tire swing, a voice making fun of my predictions with subtle delays and anticipations, making that same tire spin on itself in a burst of joy, then coming back to the calm of a boat cradled by the waves. “To be seen not heard is a worrying thing”; well, she has nothing to worry about: same acoustics of the theatre in Epidaurus, here.
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Blonde On The Tracks
by Emma Swift
supported by 8 fans who also own “Winter in Eden”
Gonzo. Passion. The Ming Vase. Haunting and beautiful. Every listen brings a new favorite. Do something like this again, Miss Emma. Please let the answer be yes. Please let the answer be yes!
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Between The Blades
by Libby Rodenbough
Libby Rodenbough brings a warm, intimate touch to traditional country-folk songwriting on her latest LP.
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Callahan’s latest both comforts and unnerves.
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Delicate and personal folk-pop from Castle Theater: honest observations and reflections presented as thoughtful, well-written miniatures.
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supported by 8 fans who also own “Winter in Eden”
Liffey just takes you places. Scary violent places, but it takes you there. Such a banger track tho.
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